Newsletter

PDF Subscribe

YouTube-Channel

Rory Yeomans
Research Fellow (10/2015 - 03/2016)


Victims, Beneficiaries, Consumers: Social Mobility, the Holocaust and the Economics of Destruction in Croatia 1941-1945


YeomansThis research project seeks to answer a deceptively simple question: what is the impact of processes of mass terror on everyday, economic and social life? And how do both victims and potential beneficiaries negotiate such a system? Taking the Holocaust in Croatia as a case study, this project examines the first year of the fascist Independent State of Croatia, established in April 1941 under the rule of the Ustasha movement. Focusing on the economic destruction of the state’s Serbian and Jewish elite, it examines the various ways in which individual Serbs and Jews sought to negotiate their dispossession. It also aims to provide an inside view of the terror, looking at the working culture, plans and aspirations of the economic agencies and institutes tasked with implementing the ‘final solution’ of the Serbian and Jewish ‘problem’. Likewise, it considers the ways in which the destruction of the Serbian and Jewish middle classes impacted everyday economic, commercial and working life, feeding the demand for consumer goods, social mobility and career advancement in a time of scarcity while simultaneously exacerbating economic, resource and cost of living imbalances.

 

Rory Yeomans gained his PhD from University College London. He is the author of Visions of Annihilation: the Ustasha Regime and the Cultural Politics of Fascism and editor of The Utopia of Terror: Life and Death in Wartime Croatia. He has been an advanced academia fellow at the Centre for Advanced Study, Bulgaria and a Cantemir fellow at the University of Oxford. His main research interests are the social, economic and cultural history of fascist Croatia.

March 2024
M T W T F S S
26 27 28 29 1 2 3
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30 31


The Vienna Wiesenthal Institute for Holocaust Studies (VWI) is funded by:

 

bmbwf en 179

 

wienkultur 179

 

 BKA Logo srgb