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Since 3 May 2021, the archive and library have been reopened to visitors with strict hygiene measures. Appointments are necessary. The museum is also open to the public again (max. three persons at the same time).

VWI invites/goes to...

 

Cycle of VWI Fellows’ Colloquia

 

The VWI fellows present their intermediary research results in the context of colloquia which are announced to a small audience and are open to a public audience with an academic and topical interest. The lectures are complemented by a response or commentary by an expert in the given field and are discussed with the other fellows.

 

Due to the previous lack of an appropriate space, the colloquia were held at other Viennese research and cultural institutions with a topical or regional connection to the given subject. From this circumstance was born the “VWI goes to …” format.

 

With the move to a new institute building at Rabensteig 3, the spatial circumstances have changed, so that the VWI is now happily able to invite other research and cultural institutions. Therefore, the VWI is now conducting its colloquia both externally and within its own building, in the framework of continued co-operation with other institutions.

 

The new cycle of fellows’ colloquia “VWI invites/goes to …” is not only able to reach a broader circle of interested persons, but moreover integrates the VWI further into the Viennese scholarly establishment, perhaps even crossing borders into the greater regional research landscape.

 

 

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VWI invites/goes to...
Lukas Meissel: The Perpetrators’ Gaze. SS Photography at Concentration Camps
   

Wednesday, 2. December 2020, 15:00 - 17:00

Please use this link to join the event (online only):

 

https://us02web.zoom.us/j/81524562409?pwd=SW44QzVERXp6Ri9HM1ZybVJmMTg2QT09

VWI invites Anton Holzer

MeisselThis lecture presents new research on photographic practices in Nazi concentration camps, specifically photographs taken by SS men from the Erkennungsdienste (identification departments) from their foundation in 1936 through to 1945. The term Erkennungsdienste refers to police institutions that had existed since the nineteenth century. In the concentration camps, these departments were responsible for the production of photographs for the camp administrations, higher SS institutions, and SS members. The images produced there include portraits of deportees, photos of prisoners conducting forced labour, construction sites and buildings in the camps, corpses of murdered inmates, events such as ceremonies or visits by delegations and Nazi officials, as well as private photographs of SS personnel.

The aim of the presentation is to investigate not only what these pictures show, but to interpret them as visual perpetrator narratives of the concentration camps. The photographs highlight how the camps were supposed to work according to the SS, therefore they represent an idealised reality that never actually existed. Accordingly, they should not be interpreted as authentic visualisations of the camps, but as an expression of the ideological and practical aspirations of the perpetrators which are seldom preserved in other types of sources beyond images. A central argument of the presentation is that the photos played a decisive role in legitimising the camps within the SS and at certain points beyond the inner circle of perpetrators.

Commented by Anton Holzer

Lukas Meissel is a Junior Fellow at the Vienna Wiesenthal Institute for Holocaust Studies and a PhD candidate in Holocaust Studies at the University of Haifa. His doctoral project analyses photographs taken by SS men at concentration camps. Prior to his studies in Israel, he worked as a historian for the Jewish community of Vienna and served as deputy chairperson for GEDENKDIENST, a Vienna-based NGO dealing with Holocaust education. He has also worked on projects on behalf of Yad Vashem and since 2008 has guided numerous study trips. Meissel has received fellowships in Israel, the USA, Germany, and Austria and has published on visual history, Holocaust studies/education, and antisemitism.

Anton Holzer is a photo historian, curator, and journalist. Since 2001, he is the editor of the journal Fotogeschichte. Beiträge zur Geschichte und Ästhetik der Fotografie. He studied history, political sciences, and philosophy in Innsbruck, Bologna, and Vienna, receiving his PhD from Vienna University. He has conducted research projects and published on the history of war photography, photojournalism, exile, and photography. For an overview, see: http://www.anton-holzer.at/ 

Click here to download the invitation as a PDF file.

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