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VWI invites/goes to...
Cycle of VWI Fellows’ Colloquia
The VWI fellows present their intermediary research results in the context of colloquia which are announced to a small audience and are open to a public audience with an academic and topical interest. The lectures are complemented by a response or commentary by an expert in the given field and are discussed with the other fellows.
Due to the previous lack of an appropriate space, the colloquia were held at other Viennese research and cultural institutions with a topical or regional connection to the given subject. From this circumstance was born the “VWI goes to …” format.
With the move to a new institute building at Rabensteig 3, the spatial circumstances have changed, so that the VWI is now happily able to invite other research and cultural institutions. Therefore, the VWI is now conducting its colloquia both externally and within its own building, in the framework of continued co-operation with other institutions.
The new cycle of fellows’ colloquia “VWI invites/goes to …” is not only able to reach a broader circle of interested persons, but moreover integrates the VWI further into the Viennese scholarly establishment, perhaps even crossing borders into the greater regional research landscape.
VWI invites/goes to... | |||
Beate Kutschke: Music and Heroisation in the Mauthausen Liberation Celebrations. New Perspectives on Holocaust Remembrance and Commemoration in Austria | |||
Tuesday, 22. January 2019, 15:00 - 17:00 Department of Theatre, Film and Media Studies. Hofburg, Batthyanystiege, 1st floor, Schreyvogelsaal
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VWI goes to the Department of Theatre, Film and Media Studies
Commented by Brigitte Dalinger Beate Kutschke is a research associate at the University of Salzburg. She has published extensively on music and protest around 1968, avant-garde music, music aesthetics and semiotics, as well as Baroque opera and ethics. Currently, she is pursuing two research directions: first, the historiography of early eighteenth-century musical form on the basis of computer-assisted music analysis; and second, music and ‘Holocaust heroisations’ in Austria after 1945. Birgitte Dalinger is a research associate and lecturer at the Department of Theatre, Film and Media Studies at the University of Vienna, where she received her habilitation in 2004. Her research focusses on Jewish theatre and drama, theatre during the Nazi regime, exile studies, theatre in the nineteenth and twentieth centuries, drama theory, book looting, and restitution. Her most recent publication is: Dalinger/Veronika Zangl (ed.), Theater unter NS-Herrschaft/Theatre Under Pressure, Göttingen 2018. Please register at This email address is being protected from spambots. You need JavaScript enabled to view it. by latest Monday, 21 January, 12.00 am. Click here to download the invitation as a PDF file. In cooperation with: |
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